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Found 7 results matching '"visual image"' within Secondary   (Clear filter)

  • Seeing beyond the frame

      Teaching History article
    History teachers frequently show pupils visual images and often expect pupils to interrogate such images as evidence. But confusions arise and opportunities are missed when pupils do this without guidance on how to ‘read’ the image systematically and how to place it in context. Barbara Ormond gives a detailed account...
    Seeing beyond the frame

  • The Power of Context: using a visual source

      Teaching History article
    Drawing on her wealth of experience and expertise in using visual sources in the classroom, in this article Jane Card explores how a single painting, a portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, might form the basis for a sequence of lessons. Arguing that although highly...
    The Power of Context: using a visual source

  • Practical classroom approaches to the iconography of Irish history or: how far back do we really have to go?

      Article
    Ben Walsh presents a structured practical activity for teaching pupils about Northern Ireland through the use of murals. The activity can be carried out in Year 9 as part of a study on the twentieth-century world, or as part of a GCSE course. He stresses the importance of an informed...
    Practical classroom approaches to the iconography of Irish history or: how far back do we really have to go?

  • The International Journal Volume 8 Number 1

      Journal
    The International Journal of Historical Learning, Teaching and Research [IJHLTR] was founded to provide an international medium for reporting on History Education. Articles included in this edition:  Editorial: History Education, Identity and Citizenship in the 21st Century, Bahri Ata The Turkish prospective History teachers' understanding of analogy in History education, Isabel...
    The International Journal Volume 8 Number 1

  • Why can't they just live together happily, Miss?' Unravelling the complexities of the Arab-Israeli conflict at GCSE

      Article
    How often do our students long for black and white rather than the shades of grey that history generally presents us with? Understanding the Arab-Israeli conflict is all about understanding diversity and complexity in all their shades of grey. Alison Stephen, teaching in an immensely diverse school herself, is determined...
    Why can't they just live together happily, Miss?' Unravelling the complexities of the Arab-Israeli conflict at GCSE

  • A most horrid malicious bloody flame: using Samuel Pepys to improve Year 8 boys' historical writing

      Article
    Unusually, instead of moving from a narrative to an analytic structure, David Waters moves his pupils from causal analysis to narrative. By the time pupils are ready to produce their storyboard narrative, their thinking about the Great Fire has been shaped and re-shaped not only by structural exercises and argument...
    A most horrid malicious bloody flame: using Samuel Pepys to improve Year 8 boys' historical writing

  • Picturing place: what you get may be more than what you see

      Article
    Pictures abound in history classrooms and teachers use them in many different ways. They add - often literally - some colour to the past, helping us to imagine what different worlds were like. Pictures can be used quite legitimately in this way to fire imagination and stimulate interest. But we...
    Picturing place: what you get may be more than what you see